So for some reason Community's showrunner was replaced. The new show (which I have given it 8 eps before judgng) is lacking most of the edge the former showrunner brought into it. The meta-ish feeling is no longer there, nor is the loving mocking of pop-culture.
Now my question is why? Is this the price we pay for bigger ratings? Making every show middle of the road, perfectly slot-fitting genre shows to permit easy access? Is this what the market wants? I'm pretty sure it's not what the audiences want. Or maybe it's just me?
I see Community relying heavier on romance and less sharply drawn characters, which makes them more of the general TV caricatures, thus totally losing the sarcastic element. The sarcasm made the show stand out now it's looking more and more like a generic sitcom, complete with romantic couples (in the right age-range or f course) and yes, visiting popstars. All that is missing is the laugh-track.
I'll still watch because I love the characters and I can see how much the actors strive to make the best of the scripts they are given. There are some small gems (oh like Yvette Nicole Brown's motherly voice when scheming to set up Abed with the right, according to her, girl). But it's not in the text like it used to be with the former showrunner.
And worst of all, The Troy/Abed scenes at the end are mostly gone.
Good thing I still have seasons 1-3 to treasure for the more daring, edgy scripts with loving social and cultural critique beautifully baked in.
Now my question is why? Is this the price we pay for bigger ratings? Making every show middle of the road, perfectly slot-fitting genre shows to permit easy access? Is this what the market wants? I'm pretty sure it's not what the audiences want. Or maybe it's just me?
I see Community relying heavier on romance and less sharply drawn characters, which makes them more of the general TV caricatures, thus totally losing the sarcastic element. The sarcasm made the show stand out now it's looking more and more like a generic sitcom, complete with romantic couples (in the right age-range or f course) and yes, visiting popstars. All that is missing is the laugh-track.
I'll still watch because I love the characters and I can see how much the actors strive to make the best of the scripts they are given. There are some small gems (oh like Yvette Nicole Brown's motherly voice when scheming to set up Abed with the right, according to her, girl). But it's not in the text like it used to be with the former showrunner.
And worst of all, The Troy/Abed scenes at the end are mostly gone.
Good thing I still have seasons 1-3 to treasure for the more daring, edgy scripts with loving social and cultural critique beautifully baked in.